“Tariq” Exhibition in Aleppo: Art Revives the Forgotten Tracks

On the platform of Baghdad Station in the heart of Aleppo, a striking artistic intervention unfolded. The exhibition, titled “Tariq” (Arabic for “Path”), transformed a dormant railway station into a vibrant space of memory, dialogue, and creative resistance.

Baghdad Station, untouched since its construction in the early 20th century, became a symbolic gateway—not for trains, but for ideas. The exhibition was part of a larger initiative spanning multiple Syrian cities, with each station serving as a cultural node. In Aleppo, the platform echoed with voices not of locomotives, but of artists reclaiming space and meaning.

The showcased works ranged from installations and video art to sculpture and painting. What united them was their boldness. Each piece confronted themes of identity, memory, confinement, and belonging. Some challenged the past, others imagined futures—but all emerged from a shared reality, a collective experience still searching for resolution.

What made “Tariq” powerful wasn’t just the art—it was the choice of venue. Turning a train station into an exhibition space is a cultural act of defiance. It reclaims neglected places and reassigns them a new role: to host reflection, dialogue, and communal healing. Here, art was not a luxury—it was a necessity.

In a time of fragmentation, “Tariq” offered reconnection—not just between cities, but between people and their histories. Visitors stood on a platform once meant for departure, now transformed into a site of arrival—for questions, for hope, for imagination. The train may have stopped, but the journey continues—carried by ideas, by courage, and by art.